evening 30th November 2012 there is a book launch at the Foreign
Correspondents Club of Cambodia in Phnom Penh. I will be the emcee and below are
some of the comments I will make at the launch and want to share with
Phnom Penh Noir
is the anthology of fiction. For the first time a group of foreign and Cambodian
authors have joined together to write stories set in Cambodia creating a bridge
for the local and an international audience to travel over. An anthology such as
this one is designed build a cultural bridge between communities.
Ten authors and artists
who co-operated in this unusual project have come from around the world as well
as from Cambodia to celebrate their participation in the making of Phnom
I predict that in the
future, we will look back at tonight as the beginning of new
opportunities for Cambodian writers to reach an international
Previous to Phnom Penh
Noir, no one had tried to publish a collection of different voices, local
and foreign. I took that as a challenge. Let’s follow the lives of Cambodians in
the aftermath of The Killing Fields. While those events remain a powerful
backdrop, what makes this collection of short fiction so compelling is to
examine the contemporary lives and obstacles of people living and working in
The ghosts of Khmer Rouge
period continue to haunt those living in the present—they say: “remember us and
what happened here, what it meant and what it continues to mean.”
Phnom Penh Noir
is a collection of stories and lyrics written as a testament to the people who
survived the horror of those bleak days and to those born later, who have no
direct memory of the past.
The stories in Phnom
Penh Noir roam between these two communities, the old and the young, one
remembering, one forgetting. And the stories come as well from the expat
community living here.
The authors explore the
tension between generations and between locals and outsiders. As readers, you
become witnesses to these stories of the hearts and minds of people.
These Cambodia inspired
stories are reflections about what we are capable of doing and the nature of
forgetting and forgiveness. The authors in Phnom Penh Noir took up the
challenge to make the lives of people in Cambodia understandable to others. And
these stories make human conflict intelligible, accessible and memorable. How do
we go about reconciling another person’s suffering and pain from the past with
her pressure to find closure and move ahead?
That is a larger question
writers ask whenever they turn to fiction to address the existential issues that
underscore our stories and books.
For more information: