Writing a novel is the end product of a long creative journey. Much the same conclusion can be said about writing and directing a film. Since Monday I have been guiding Hollywood screenwriter Chase Palmer through Vincent Calvino’s world. Chase is writing the script play for Spirit House. During the past couple of days, I have been thinking about how a novelist transfers and shares his world with a screenwriter.
The Vincent Calvino series—soon to have 12 novels—is over a million words spanning nearly twenty years. A screenplay runs about 120 pages in length. The film going audience will never read it. Instead they will watch the film. Their experience is what they see on the screen; not what is put on paper for the director, producer and actors. People who watch a movie (unless they are in the industry or writers) don’t understand or much care about the screenplay. Why should they? It is like the building you live in. How often to you think about the blueprints that were labored over, changed, revised in order to realize the physical structure. I suspect not often.
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